Sunday, June 02, 2013

2013 Award Winners Announced!


Ninth Letter is proud to announce the winners of our 2013 Literary Awards!

Poetry winner: R. A. Villanueva, for his poems "Aftermaths" and "Sacrum"
Fiction winner: Caitlin O'Neill, for her story "The Change Over Day"
Creative Nonfiction winner: Jessica Wilbanks, for her essay "On the Far Side of the Fire"
Literature in Translation: Eleanor Goodman, for her translation of excerpts from Shen Wei's A Dictionary of Xinjiang

Other honors accorded by our judges include:
G. C. Waldrep selected "Three Expressions of El Tio" and "Five Characteristics of the Genus Tragelaphus" by Zoey Farber as the Runner Up entry in poetry

Alexis Levitin selected Olga Nikolova's translations of "A Birthday Between Two Seas," "A Formula for Infinity," and "Toast" by Krasimira Zafirova's as the Runner Up entry up in translation

Margot Livesey named "Pinprick" by Christie Heinrichs, "Charcoal" by Rachel Unkefer, and "Here Where the World Is Greening" by Rachel May as Honorable Mentions in fiction.

Many thanks to our judges G. C. Waldrep, Lia Purpura, Alexis Levitin, and Margot Livesey, and to all the terrific authors who submitted work.

Tuesday, April 23, 2013

Philip Graham interviews Angela Woodward at Fiction Writers Review

Creative Nonfiction Editor Philip Graham interviews Angela Woodward about her novel End of the Fire Cult (Ravenna Press) at Fiction Writers Review. Excerpts from End of the Fire Cult appeared in Ninth Letter's Spring/Summer 2010 issue.

Thursday, April 11, 2013

Visiting Writers Series: Interview with Frank Montesonti

I am happy to say I had the chance to catch up with Frank Montesonti, the featured reader for Saturday's Visiting Writers Spring Reading, and ask him a few questions. Montesonti is the author of two full-length collections of poetry, Blight, Blight, Blight, Ray of Hope, Winner of the 2011 Barrow Street Book Prize chosen by D.A. Powell, and the book of erasure, Hope Tree (How To Prune Fruit Trees) by Black Lawrence Press. A long time resident of Indiana, he now lives in Los Angeles and is lead faculty at the MFA program at National University. 

Natalie: If you had to, how would you describe the aesthetic associated with Blight, Blight, Blight, Ray of Hope? From where do these poems originate?

Frank Montesonti: Well, it will be nice reading in Champaign; the poems in Blight, Blight, Blight, Ray of Hope are mostly located in the landscapes of the Midwest--from the lush, humid summers to the bleak winters of endless miles of frozen, harvested corn fields. I grew up in Indianapolis and the quiet desolation of the Midwest has definitely infected my imagination and voice. The title is somewhat tongue-in-cheek, but with a serious core. Many of the poems are heavy in humor and language play, but their ultimate goal is to earn moments of real emotional exigency. I think that is the aesthetic core of the collection, and I think definitely it comes from a Midwestern sensibility.

Natalie: What are some of your big creative influences? Who inspires you?

Frank Montesonti: Well, it would be a very long list to include every poet who has inspired me or taught me something, so if I had to choose one poet only, it would have to be Walt Whitman. It’s not just because of his innovations in American poetry, but because of his outlook on the world, his sense of praise and his vulnerability. I go back to Whitman again and again because I feel like my poems start with the same impulse, the sudden appreciation of the abundance and beauty of life. It is that impulse that gives me the bravery to break the silence of the page.

Natalie: Do you enjoy teaching? How do you interact with the process of introducing students to poetry?

Frank Montesonti: Yes, I enjoy teaching immensely. I believe poetry is a conversation, and I like to introduce my students to a wide variety of poetic voices and then listen to hear what conversations they are compelled to enter; then I try my best to be a guide for them into those conversations. I feel it is often counterproductive to insert my own personal aesthetics into a workshop too strongly, though I suppose it is inevitable to some extent. But I digress; my point is that I enjoy helping students find their own voices and their own artistic projects. That is the primary source of joy in teaching to me.

Natalie: What kinds of poems are you working on right now?

Frank Montesonti: The poems I am working on now are quite different from the poems in my first or second books. They involve a series of overlapping scenes that build and develop each other interspersed with a series of exuberant love poems. The collection’s title is For Oh, Yvonne, I Am!

Natalie: If you could have dinner with any poet, living or dead, who would it be?

Frank Montesonti: Forget dinner, I just want to hang out in a dive bar with John Berryman.

Thanks again to Frank for taking time off during his book tour to answer my questions. Once again, don't miss his reading this weekend!

Line Assembly Poetry Tour

Coming in Summer 2013 to a place near you! The Line Assembly Poetry Tour, featuring poets S. E. Smith, Anne Marie Rooney, Zachary Harris, Adam Atkinson, Ben Pelhan, and  former 9L assistant editor Lillian-Yvonne Bertram, is a new kind of poetry adventure. From their Kickstarter page:

"Unlike most reading tours that focus on the presentation of the author’s work, our tour will combine readings with free poetry and literary arts workshops at libraries and community spaces around the country."

Line Assembly will also donate contemporary poetry books and develop a resource magazine with tips on organizing reading and writing groups, hosting productive workshops, and more! Click on the link above to support this fantastic project.